Documentary “Whose Streets?” is a captivating call to action [MOVIE-REVIEW]
Sketch of Mike Brown Jr. Courtesy of Magnolia Pictures
by Morgan Rojas/www.cinemacy.com
On August 9th, 2014 – a little over three years ago– an 18-year-old, unarmed black student named Michael Brown was shot and killed in Ferguson, Missouri. Just a day before, this northern suburb of St. Louis was virtually unknown to the rest of the world, but that would soon change in the most drastic of ways. Ferguson became the birthplace of the Black Lives Matter movement and garnered national attention, but the people’s call to action has continued to be ignored. The documentary Whose Streets? is a look racial tension in Ferguson post-Mike Brown’s death, and how residents refuse to back down until they feel they’ve rightfully received “liberty and justice for all.”
The story of black communities feeling oppressed is nothing new and that, unfortunately, is the reality of the times we live in, especially considering the recent events in Charlottesville, VA. Filmmakers Sabaah Folayan and Damon Davis have experienced the micro (and oftentimes, macro) aggressions and have participated in Black Lives Matter rallies and riots, which is what makes Whose Streets? so much more personal than other films on the same topic. Foyayan and Davis are more than filmmakers, they are activists trying to make a difference by picking up their cameras and using independent film as a means of exposing their reality to others.
Contributing to the emotional scope of the documentary, Whose Streets? relies heavily on user submitted videos to capture the unfiltered chaos and confusion during those tumultuous days and nights. Not only does this force the audience into a reality check, but it also serves to empower the people with the cameras. Everyone is a filmmaker, documenting events from their unique perspectives. The social activism seen here is what they are hoping will change the world.
Last year, the documentary Do Not Resist highlighted the growing militarization of the police force, specifically in Ferguson, and the message is again echoed in Whose Streets?. Calling in the National Guard was a decision reached by the local (not federal, as then President Obama makes clear) jurisdiction, and was meant to intimidate protesters into quietly packing up and going home, but the opposite happened. Instead, the violence, vandalism, and looting became worse, destroying an already broken city and pushing lawmakers, police, and residents even further from a civilized conversation and potential agreement.
Seeing a father hold up a sign reading, “Ferguson police just executed my unarmed son!!!” will never be an easy thing to digest and these films will continue to anger those who feel discriminated against, and haunt those who sympathize with the victimized. Whether you are black, white, or anything in between, Whose Streets? is a captivating and culturally crucial watch.
Whose Streets? is rated R. 90 minutes. Now playing in select theaters.